Critics’ Choice Unveils Nods for First-Ever Documentary Awards

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oj-made-in-americaRecognizing the potent art form that documentaries have become in the past few years, the Critics’ Choice is instituting its first-ever separate awards ceremony to recognize excellence in the genre.

After deliberations in nominating committees, comprised of members of the Broadcast Film Critics Association (BFCA) and the Broadcast Television Journalists Association (BTJA) that make up the Critics’ Choice organization, the nominations were announced Monday for the trophies that will be handed out November 3, 2016 at BRIC, in Brooklyn, New York.

Leading the nominations with five each are Ava Duvernay’s 13th, Ezra Edelman’s O.J.: Made in America and Clay Tweet’s Gleason. All had theatrical releases and are also available on Netflix, ESPN and Amazon, respectively, affording them wide audiences.

“It is an amazing time for documentaries, with the ever-increasing number of platforms enabling producers to reach enthusiastic and growing audiences for non-fiction storytelling,” said BFCA and BTJA President Joey Berlin.

gleason“This is clearly demonstrated in the depth and quality of our inaugural nominees. We have a wealth of brilliant creators who are bringing to light some of the most entertaining and illuminating stories being told today.  Indeed, documentary filmaking is modern investigative journalism.”

There are 10 nominees in the top film category, best documentary feature (film): 13th, O.J. and Gleason, as well as Cameraperson; Fire at Sea; Life, Animated; TickledTowerWeiner and The Witness.

13th also is among the 10 nominees in the 10 TV/streaming category, best documentary feature (TV/streaming), along with O.J.; Fantastic Lies; Amanda Knox; Audrie & Daisy; Before the FloodHoly Hell; Into the InfernoJim: The James Foley Story; Mapplethorpe: Look at the Pictures and Rats.

ava-duvernays-13thAs many documentaries chronicle the life of a person, the BFCA and BTJA will be honoring this year’s Most Compelling Living Subject of a Documentary with these honorees:

 Danny Fields – Danny Says (Magnolia/Outre Films)

Iggy Pop – Gimme Danger (Magnolia/AmazKirsten Johnson – Cameraperson (Janus Films/Fork Films/Big Mouth Productio

Owen Suskind – Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)

Sharon Jones – Miss Sharon Jones! (Cabin Creek Films/Starz Digital Media)

Steve Gleason – Gleason (Open Road/Amazon/Exhibit A)

Theo Padnos – Theo Who Lived (Zeitgeist Films)

 

Here is a full list of Critics’ Choice Documentary Awards Nominations:

 

BEST DOCUMENTARY FEATURE (FILM)

13th (Netflix/Kandoo Films)

30 For 30: O.J.: Made in America (ESPN/Laylow Films)

Cameraperson (Janus Films/Fork Films/Big Mouth Productions)

Fire at Sea (Kino Lorber/Stemal Entertainment/21 Unofilm/Cinecittà Luce/Rai Cinema/Les Films d’Ici/Arte France Cinéma)

Gleason (Open Road/Amazon/Exhibit A)

Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)

Tickled (Magnolia/A Ticklish Tale/Fumes Production/Horseshoe Films)

Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film)

Weiner (Sundance Selects/Motto Pictures/Edgeline Films)

The Witness (FilmRise/Five More Minutes Productions)

BEST DIRECTION OF A DOCUMENTARY FEATURE (FILM)

Ezra Edelman – 30 For 30: O.J.: Made in America (ESPN/Laylow Films)

Ron Howard – The Beatles: Eight Days a Week – The Touring Years (Hulu/White Horse Pictures/Imagine Entertainment/Apple Corps)

Kirsten Johnson – Cameraperson (Janus Films/Fork Films/Big Mouth Productions)

Keith Maitland – Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film)

Clay Tweel – Gleason (Open Road/Amazon/Exhibit A)

Roger Ross Williams – Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)

BEST FIRST DOCUMENTARY FEATURE (FILM)

Otto Bell – The Eagle Huntress (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)

David Farrier and Dylan Reeve – Tickled (Magnolia/A Ticklish Tale/Fumes Production/Horseshoe Films)

Adam Irving – Off the Rails (The Film Collaborative/Zipper Bros Films)

Josh Kriegman and Elyse Steinberg – Weiner (Sundance Selects/Motto Pictures/Edgeline Films)

James D. Solomon – The Witness (FilmRise/Five More Minutes Productions)

Nanfu Wang – Hooligan Sparrow (The Film Collaborative/Little Horse Crossing the River)

BEST POLITICAL DOCUMENTARY

13th (Netflix/Kandoo Films)

30 For 30: O.J.: Made in America (ESPN/Laylow Films)

Audrie & Daisy (Netflix/Actual Films)

Newtown (Abramorama/Mile 22/Independent Television Service)

Weiner (Sundance Selects/Motto Pictures/Edgeline Films)

Zero Days (Magnolia/Jigsaw Productions/Participant Media)

BEST DOCUMENTARY FEATURE (TV/STREAMING)

13th (Netflix/Kandoo Films)

30 For 30: Fantastic Lies (ESPN)

Amanda Knox (Netflix/Plus Pictures)

Audrie & Daisy (Netflix/Actual Films)

Before the Flood (National Geographic/Appian Way/Insurgent Docs/RatPac Documentary Films)

Holy Hell (CNN/WRA Productions)

Into the Inferno (Netflix/Herzog-Film/Matter of Fact Media/Spring Films)

Jim: The James Foley Story (HBO/Kunhardt Films)

Mapplethorpe: Look at the Pictures (HBO/Film Manufacturers/World of Wonder Productions)

Rats (Discovery Channel/Dakota Group/Submarine Entertainment/Warrior Poets)

BEST DIRECTOR (TV/STREAMING)

Fenton Bailey and Randy Barbato –  Mapplethorpe: Look at the Pictures (HBO/Film Manufacturers/World of Wonder Productions)

Rod Blackhurst and Brian McGinn – Amanda Knox (Netflix/Plus Pictures)

Ava DuVernay – 13th (Netflix/Kandoo Films)

Werner Herzog – Into the Inferno (Netflix/Herzog-Film/Matter of Fact Media/Spring Films)

Morgan Spurlock – Rats (Discovery Channel/Dakota Group/Submarine Entertainment/Warrior Poets)

Fisher Stevens – Before the Flood (National Geographic/Appian Way/Insurgent Docs/RatPac Documentary Films)

BEST FIRST FEATURE (TV/STREAMING)

Everything is Copy – Jacob Bernstein and Nick Hooker (HBO/Loveless)

Holy Hell – Will Allen (CNN/WRA Productions)

Mavis! – Jessica Edwards (HBO/Film First Co.)

My Beautiful Broken Brain – Sophie Robinson and Lotje Sodderland (Netflix)

Southwest of Salem: The Story of the San Antonio Four – Deborah Esquenazi (Investigation Discovery/Motto Pictures/Naked Edge Films)

Team Foxcatcher – Jon Greenhalgh (Netflix/Hattasan Productions/Madrose Productions)

BEST LIMITED DOCUMENTARY SERIES

30 For 30: O.J.: Made in America (ESPN/Laylow Films)

The Circus: Inside the Greatest Political Show on Earth (Showtime/Left/Right)

The Eighties (CNN)

The Hunt (BBC America/Silverback Films/NDR Naturfilm)

Jackie Robinson (PBS/Florentine Films)

Soundbreaking: Stories From the Cutting Edge of Recorded Music (PBS/Higher Ground/Show of Force)

BEST ONGOING DOCUMENTARY SERIES

30 for 30 (ESPN)

Frontline (PBS)

Last Chance U (Netflix)

Morgan Spurlock Inside Man (CNN)

POV (PBS)

This Is Life with Lisa Ling (CNN)

BEST SONG IN A DOCUMENTARY

“Angel by the Wings” – The Eagle Huntress – Written by Sia – Performed by Sia (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)

“The Empty Chair” – Jim: The James Foley Story – Written by Sting and J. Ralph – Performed by Sting (HBO/Kunhardt Films)

“Flicker” – Audrie & Daisy – Written by Tori Amos – Performed by Tori Amos (Netflix/Actual Films)

“Hoping and Healing” – Gleason – Written by Mike McCready – Performed by Mike McCready (Open Road/Amazon/Exhibit A)

“I’m Still Here” – Miss Sharon Jones! – Written by Sharon Jones – Performed by Sharon Jones & The Dap-Kings (Cabin Creek Films/Starz Digital Media)

“Letters to the Free” – 13th – Written by Common, Karriem Riggins and Robert Glasper – Performed by Common featuring Bilal (Netflix/Kandoo Films)

BEST SPORTS DOCUMENTARY

30 For 30: Fantastic Lies (ESPN)

30 For 30: O.J.: Made in America (ESPN/Laylow Films)

Dark Horse (Sony Pictures Classics)

The Eagle Huntress (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)

Gleason (Open Road/Amazon/Exhibit A)

Jackie Robinson (PBS/Florentine Films)

Keepers of the Game (Tribeca Digital Studios/Flatbush Pictures)

BEST MUSIC DOCUMENTARY

The Beatles: Eight Days a Week – The Touring Years (Hulu/White Horse Pictures/Imagine Entertainment/Apple Corps)

Gimme Danger (Magnolia/Amazon)

Miss Sharon Jones! (Cabin Creek Films/Starz Digital Media)

The Music of Strangers (Participant Media/Tremolo Productions)

Presenting Princess Shaw (Magnolia)

We Are X (Drafthouse Films)

MOST INNOVATIVE DOCUMENTARY

Cameraperson (Janus Films/Fork Films/Big Mouth Productions)

Kate Plays Christine (Grasshopper Film/4th Row Films/Faliro House Productions/Prewar Cinema Productions)

Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)

Nuts (Amazon/mTuckman Media/Cartuna/Gland Power Films)

Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film

Under the Sun (Icarus Films/Vertov Studio/Saxonia Entertainment/Hypermarket Film)

 

 

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Author: Hillary Atkin

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