Bringing Background Singers to the Forefront at SXSW: Twenty Feet from Stardom

“Rape, murder. It’s just a shot away. It’s just a shot away.” Think of that line from the infamous Rolling Stones song Gimme Shelter. Who sang it? Merry Clayton, one of the singers profiled in the stunning new documentary “Twenty Feet from Stardom,” which premiered at Sundance and was screened at South by Southwest, followed by a surprise performance that generated several standing ovations from the audience at Austin’s Paramount Theater.

If you haven’t been among the select few to see the film, directed by Morgan Neville,  you will have the opportunity soon–because RADiUS-TWC (The Weinstein Company) picked it up at Sundance for theatrical distribution beginning on June 14.

With thrilling archival footage of rock ‘n roll icons like David Bowie and Joe Cocker intermixed with current-day interviews of musical greats Bruce Springsteen, Stevie Wonder, Mick Jagger, Sting, Sheryl Crowe, Bette Midler and producer Lou Adler, the doc shows and tells what life was like behind the music for the mainly black and female background singers who lent their soaring voices to many of the biggest records of the past four decades.

Even as tellingly, it shows how they’re doing now. And with a few notable exceptions, like recent Rock and Roll Hall of Fame inductee Darlene Love, they lead lives like many people–struggling to make ends meet—at the complete opposite end of the spectrum from the rock legends with whom they shared the stage.

While heartbreaking in parts, the film pays tribute to those whose voices who added immeasurably to the greatness of popular music—putting them at center stage to reflect on the sacrifices and rewards of their careers spent harmonizing just feet away from superstardom.

A common theme runs through the personal stories—the desire to become a solo artist—and women like Love, Clayton and Lisa Fischer tell of the struggles they faced in doing so.

But the dream doesn’t die despite persistent challenges, and is exemplified in the story of acclaimed vocalist Judith Hill, who was to be part of Michael Jackson’s “This is It” huge London shows. She would have been featured in MJ’s “I Just Can’t Stop Loving You”–you can see her in rehearsals with him in the Kenny Ortega-directed film– as well as on other numbers. While periodically doing backup since Michael’s shocking death, she’s intently focused on becoming a solo performer and recently performed at the Academy Awards Governors Ball.

After the final credits rolled, Hill took to the stage to perform, followed by Love, with a heartfelt rendition of “Lean On Me,” emblematic of backup singers’ role in shaping musical history. The crowd went nuts, showering them with love and admiration, and Neville revealed plans for a soundtrack album. There’s also talk of a tour, or at least a few shows featuring these talented people, many of whom are just now getting their due.

Meanwhile, Neville also announced that Hill will be featured on NBC’s “The Voice” when its new season premieres March 25. Here’s a taste: https://www.youtube.com/watch?v=k4zG-WfHGtA

–Hillary Atkin

 

James Bond Parachutes in to Producers Guild Awards Nominations

Leave it to the Producers Guild of America to finally give some credit to a 50-year-old film franchise. Showing 007 some real love, its members nominated “Skyfall” as one of the 10 films up for the Darryl F. Zanuck producer of the year award for theatrical motion pictures.

 

Skyfall, starring Daniel Craig, is the first James Bond movie ever to get a PGA nomination.

 

It will compete against Argo, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Life of Pi, Moonrise Kingdom, Silver Linings Playbook, Skyfall and Zero Dark Thirty, when the awards are handed out on January 26, in the 24th edition of the ceremony.

 

The PGA trophy is considered a leading indicator for the best picture Oscar as well. The last time the two choices differed was six years ago when the Academy Award went to The Departed and the PGA Award was handed to Little Miss Sunshine.

 

For animated films, the producers of Brave, Frankenweenie, ParaNorman, Rise of the Guardians and Wreck-it Ralph will vie for the prize.

 

The small screen battles are expected to be just as fierce on the drama side with the teams behind Breaking Bad, Downton Abbey, Game of Thrones, Homeland and Mad Men competing.

 

For television comedies, the contenders are 30 Rock, The Big Bang Theory, Curb Your Enthusiasm, Louis and Modern Family.

 

Competing for the David L. Wolper Award for outstanding producer of longform television: American Horror Story, Hatfields & McCoys, Game Change, Sherlock and The Dust Bowl.

 

 

 

 

Broadcast Film Critics Elect Lincoln With a Record 13 Nods

“Lincoln” is clearly the film to beat at the 2013 Critics Choice Movie Awards. The Steven Spielberg-directed historical epic chronicling the assassinated president’s last few months in office garnered a record-breaking 13 nominations from the Broadcast Film Critics Association in categories including best film, director, lead actor for star Daniel Day-Lewis, supporting actress for Sally Field, who plays his wife, supporting actor for Tommy Lee Jones and for best acting ensemble.

 

In addition to “Lincoln,” best picture nods went to “Argo,” “Beasts of the Southern Wild,” “Django Unchained,” “Les Miserables,” “Life of Pi,” “The Master,” “Moonrise Kingdom,” “Silver Linings Playbook” and “Zero Dark Thirty.”

 

Daniel Day-Lewis will compete against Bradley Cooper, John Hawkes, Hugh Jackman, Joaquin Phoenix and Denzel Washington for lead actor.

 

On the distaff side, lead actress contenders for the CCMAs are Jessica Chastain, Marion Cotillard, Jennifer Lawrence, Naomi Watts, Emmanuelle Riva and Quvenzhane Wallis as the young girl in “Beasts.”

 

Spielberg will face off against Ben Affleck, Kathryn Bigelow, Tom Hooper, Ang Lee and David O. Russell for best director.

 

The awards ceremony takes place on January 10, the same day that Oscar nominations are announced and will be broadcast that evening on the CW.

 

Speaking of Oscars: if, as expected, Day-Lewis goes on to get an Oscar nomination and then wins the best actor prize he would be the first man in history to win three lead actor Academy Awards.

 

 

 

From SNL to ISA: Samberg to Emcee Indie Spirit Awards

Those of us who have missed Andy Samberg on “Saturday Night Live” can soak up lost time with the comedian when he hosts the upcoming Film Independent Spirit Awards, which usually run about three hours on the afternoon before the Oscars.

 

The February 23 hosting gig will hopefully be better received than some of the goofy movies that Samberg has appeared in, which haven’t matched the level of some of his SNL skits and musical parodies of which, of course, our favorite is “Dick in a Box” with Justin Timberlake.

 

The Spirit Awards, which air on IFC, have switched venues a few times of late, but historically had been held in a tent set up on a beach parking lot in Santa Monica. Because of their proximity to the Oscars, virtually all of the nominees who overlap show up to the event, when most would probably prefer to be prepping for pre-Oscar parties that night.

 

Comedy has been King at the Spirit Awards in the host department, as last year, Seth Rogen did the funny at the podium and earned some critical respect, meaning his buddy Samberg is probably feeling very competitive and already writing jokes for the gig.

LA Film Critics J’adore ‘Amour’ and ‘The Master’

The Los Angeles Film Critics Association has bucked early awards season trends by naming the French film “Amour” as best picture and showering “The Master” with a slew of prizes, including runner-up for best picture, helmer Paul Thomas Anderson as best director, star Joaquin Phoenix as best actor, Amy Adams as best supporting actress, and David Frank and Jack Fisk for production design.

 

Another surprise, LAFCA anointed Dwight Henry of “Beasts of the Southern Wild” as best supporting actor, while ignoring his costar, the young Q-Wallis as she has become known. The actor had worked in a bakery before being cast in the film and has been largely left on the sidelines by other critics groups.

 

Here is a look at the award winners, who will pick up their prices on January 12, 2013 in Los Angeles:

 

Best director: Paul Thomas Anderson, “The Master.”
Runner-up: Kathryn Bigelow, “Zero Dark Thirty”

Best actor: Joaquin Phoenix, “The Master”
Runner-up: Denis Lavant, “Holy Motors”

Best actress (Tie): Jennifer Lawrence, “Silver Linings Playbook” and Emmanuelle Riva, “Amour”

Best supporting actor: Dwight Henry, “Beasts of the Southern Wild”
Runner-up: Christoph Waltz, “Django Unchained

Best supporting actress: Amy Adams, “The Master”
Runner-up: Anne Hathaway, “The Dark Knight Rises” and “Les Miserables

Best animation:Frankenweenie
Runner-up: “It’s Such a Beautiful Day”

Best documentary: “The Gatekeepers”
Runner-up: “Searching for Sugar Man

Best foreign film: “Holy Motors”

Runner-up: “Footnote”

Best cinematography: Roger Deakins, “Skyfall
Runner-up: Mihai Malaimare Jr., “The Master”

Best screenplay: Chris Terrio, “Argo”
Runner-up: David O. Russell, “Silver Linings Playbook”

Best editing: Dylan Tichenor and William Goldenberg, “Zero Dark Thirty”
Runner-up: William Goldenberg, “Argo”

Best music score: Dan Romer and Benh Zeitlin, “Beasts of the Southern Wild”
Runner-up: Jonny Greenwood, “The Master”

Production design: David Crank, Jack Fisk, “The Master”
Runner-up: Adam Stockhausen, “Moonrise Kingdom”

 

Kevin Smith Keynote a Wild, Emotional Ride Through Moviedom

Filmmaker and entrepreneur Kevin Smith has a rabid fan base, and although we had admired some of his past films, including “Chasing Amy” and of course, his  breakthrough, “Clerks,” we didn’t consider ourselves amongst them. Until yesterday.

 

That’s when Smith, clad in a trademark hockey jersey and introduced by KROQ’s Ralph Garman, came clambering through the crowd of entertainment industry-ites gathered in a ballroom at LA’s Sofitel hotel for Variety’s Future of Film Summit for what was billed as a keynote speech in a conversation with Garman.

 

The portly director started off by refusing to sit down, saying that he felt particularly fat and that he hoped people would understand if stood the whole time. He and Garman then shoved the chairs that had been set up for them out of the way.

 

Thus launched the kickoff of a profanity-filled discussion of the motion picture business, podcasting, digital and social media, his past slate of films, Bruce Willis’s apparent hatred of him, his admiration of Judd Apatow, his dealings with Quentin Tarantino, blowing off his agent and attorney and trying to get in touch with Jerry Bruckheimer without them.

 

And that was just for starters. Some of the funniest moments came when Smith desscribed his wife as well above his pay grade, and we’re leaving out some of the descriptors that would probably insult other women.

 

But coming from Smith – and it did take us a few minutes to get into his admittedly skewed sensibility– his words were interpreted more through this female brain as enlightenment rather than offensive.

 

Obviously unlike his Silent Bob character, Smith was never at a loss for something to say– the session ran half an hour over and had to be almost forcibly ended by an event organizer who was booed off the stage, poor dear – as he waxed euphoric on some old-school values, saying that honesty is what connects with people.

 

“My dick is small and Bruce Willis hates me,” he said in one of the numerous times he had the rather tough crowd rolling on the floor. Although most of them seemed to be C-level executives, Smith geared many of his remarks to those starting out in the business in the context of what he’s learned since he began about 20 years ago.

 

Here are some of his aphorisms:

 

“Spend as much time as possible with your audience.”

“People in positions of power [who tell you ‘no’] lose their jobs. Kids are discovering there’s no longer a ‘they.’”

“I will forgo money for a connection with the audience.”

“They expect results in this business, but whatever you’re doing, have the next thing.”

“Keep it creative and weird for yourself. People feel the difference between passion and doing it for the money.”

“Don’t be an island – build a bridge.”

 

Smith concluded with a lengthy and hysterically funny anecdote about deciding to blow off his agent and attorney (apparently for financial reasons) and deciding to contact fellow hockey lover Jerry Bruckheimer directly to ask for his advice (and not for money) about a hockey-related project.

 

He related how he was able to easily find the phone number and asked for the mega-producer but how he was put on hold numerous times and forced to listen to music from Bruckheimer soundtracks while being queried about how the two knew each other by an assistant. They had once worked together.

 

As Smith told it, Bruckheimer called back within a couple days and immediately identified the fact that Smith wasn’t using representation—and they ended up having a nice conversation about the project.

 

And this is how the story ends: instead of a feature film that was originally intended, and due to a friend’s suggestion, Smith will do a television miniseries on hockey, the details of which will be announced soon.

 

To quote one of my favorite Gretzky-isms, “Go where the puck is going.” Kevin, I’ll be following.

 

 

 

 

 

 

Hollywood Film Awards an Early Harbinger of Oscar Season

Coming several months before even the earliest film critics awards, the 16th Annual Hollywood Film Awards billed itself as the first big event and official launch of awards season. Not only that, it spotlighted talent and films that are likely to be frontrunners as the season progresses this coming winter.

 

In a real art imitates life moment, “Argo” director and star Ben Affleck took the stage with his castmates to pick up the ensemble acting award, which was presented by former CIA agent Tony Mendez, whom he portrays in the film. Also on stage,  three of the American diplomats who were actually rescued in the 1979 Iranian rescue operation that Mendez brainstormed by having them pose as a fake Canadian movie crew.

 

While “Argo” is a surefire awards favorite, and is doing well at the box office in its second week out, the kudos for some of the evening’s honorees came so early in the game that not only has no one seen the movies, some of them are still being edited. Quentin Tarantino pointed that out about his highly anticipated film about slavery, “Django Unchained,” as he accepted the screenwriter award that was presented to him by last year’s winner, Diablo Cody.

 

“It’s strange to get an award while I’m still in the editing room,” Tarantino said about his movie, which stars Leonardo DiCaprio and Jamie Foxx and will be released on Christmas Day. Referring to his new piece of hardware, a glistening metal abstract “H,” he said the honor would make it more difficult to take a line out of his award-winning screenplay.

 

The ceremonies, run by Carlos de Abreu and presented by the Los Angeles Times, were held at The International Ballroom of the Beverly Hilton– site of future award shows including the Golden Globes – after a cocktail hour and dinner that featured herb-stuffed chicken as honorees including Bradley Cooper and lifetime achievement recipient Richard Gere sauntered in.

Others who received accolades: Marion Cotillard, Amy Adams, David O. Russell, Peter Ramsey, Quvenzhane Wallis–the young actress in “Beasts of the Southern Wild,” producers Tim Bevan and Eric Fellner, cinematographer Wally Pfister, editor Dylan Tichenor, production designer Sarah Greenwood and visual effects wizard Jeff White.

Up and coming actors were honored jointly with the Hollywood Spotlight Award going to Samantha Barks, Tom Holland, Bella Heathcote, John Magaro, Kelly Reilly and Ezra Miller.

Some in the room may not have known much about the awards or de Abreu, including presenter Seth Rogen, who took the stage after designer Tom Ford – wearing a dapper black bow tie instead of his usual unbuttoned shirt– presented the Hollywood actor award to Bradley Cooper, who stars in the upcoming “Silver Linings Playbook” (with Robert De Niro, another of the evening’s award recipients).

 

 

“I want to fuck both those guys,” Rogen began in reference to Ford and Cooper, before lamenting his looks compared to theirs. “I guess Hollywood hates Jewish people,” he said before weighing in about the awards. “Who voted for these things?” Rogen asked. “I was told some guy named Carlos. I picture Carlos the Jackal, because that’s all I know.”

 

Rogen certainly knows a lot about honoree Judd Apatow, whom he was presenting with the comedy award. The laughmeister went on to steal the show with his acceptance speech, which was a critique of the ceremonies up until that point.

 

Among his notes: “Please tell the kid from ‘Beasts of the Southern Wild’ not to mention God. This is Hollywood.” “Can whoever wrote Robert De Niro’s acceptance speech write (host) Nancy O’Dell’s comments?” Why is (Jeffrey) Katzenberg here and not watching the debate?” Wondering why de Abreu and not an actor gave Dustin Hoffman his award, Apatow mused: “Where the fuck is Jon Voight tonight – at a Romney after party?” and “Why aren’t there commercial breaks, so people can pee, smoke and talk?”

 

And about “The Session’s” John Hawkes, who is getting huge amounts of acclaim and laughed about his “breakthrough” status being awarded after 26 years in the business, Apatow said: “Why does John Hawkes look like a guy who could beat the shit out of the guy John Hawkes plays in “The Sessions?”

 

That’s it. We nominate Apatow to produce next year’s show.

Ottimo Woody Allen: To Rome With Love

 

Another European capital, another delightful Woody Allen film. Although not as outstanding as his last outing, “Midnight in Paris, Allen’s “To Rome with Love” imports the trademark neuroses of his main characters to another land. This time, instead of a surrogate Allen-type, as Owen Wilson played in “Paris,” the audience gets the pleasure of seeing Allen himself, as himself. And if that wasn’t enough, there’s Jesse Eisenberg as a version of his younger self.

 

The story revolves around several groups of Americans living and loving in the sun-splashed, picture postcard perfect ancient capital, intermingling with Italians. The Eisenberg character becomes torn between two women, his girlfriend and her friend who has arrived for a visit. All along the way, he’s mentored by a perfectly cast Alec Baldwin, who carries the baggage of his own relationship misdeeds and tries to impart wisdom, to much comedic effect. Baldwin is supposed to be a successful architect, but is really just himself– and the conceit works well.

 

Not so perfectly cast is the supposedly irresistible-to-men friend of his girlfriend, Greta Gerwig, played by Ellen Page. Page’s character is supposed to be a self-centered, wacky, free-spirited, sexy temptress who is, not surprisingly, an aspiring actress– a fact that takes center stage in the denouement of this particular love troika.

 

The problem is that Page is way too smart and far too skinny– her skinny jeans can barely stay on her extremely lean figure — for this role. What, Woody couldn’t get Scarlett Johansson, who has been pitch perfect in some of his previous pics? She would’ve really made this character her own.

 

But this isn’t just a story of love gone awry or intercultural marriage. Roberto Benigni– he of the jumping on the backs of chairs at the Oscars more than a decade ago to pick up his statuette– is the center of another thread of the story that riffs on the utter ridiculousness of pop culture’s obsession with celebrity, complete with hordes of paparazzi following his every move. You’ll be thinking of the Kardashians almost every step of the way, and smirking.

 

And then there’s one of Allen’s longtime muses, Penelope Cruz, who plays a call girl who gets dragged into the drama of a young Italian couple’s relationship and the man’s quest to impress his wealthy relatives. The minute they see Cruz’s skintight red mini-dress and sky-high heels, well, you can imagine the consequences– and comedy.

 

Meanwhile, Allen and his wife, played by Judy Davis, have come into town to meet their daughter’s fiancé, but instead, the visit becomes Allen’s way of getting back into the music business, from which he had retired. It’s a perfect ploy as Woody sitting around with nothing to do is not a pretty sight, although his wife is anything but supportive of his new obsession.

 

We’re not going to spoil anything here, except to say that his protégé, who just happens to be the fiancé’s father, excels at singing opera in the shower.

 

And just like those performances, the movie leaves you on a high note. Bravo, Woody!

 

To Rome With Love, Rated R, Running Time: 1:52

Meryl Moments and More at WIF’s Crystal + Lucy Awards

When Meryl Streep is in the house, you know it’s going to be a night to remember. In fact, there should have been a Streep drinking game, similar to the Marty Scorsese one that made the rounds during this past winter’s awards season, for all the times she was mentioned  at the 2012 Women in Film Crystal + Lucy Awards, presented June 12 at a packed gala held at the International Ballroom of the Beverly Hilton.

 

Hosted by actress Jenna Elfman, the WIF event honored Viola Davis with the prestigious Crystal Award and Bonnie Hammer, chairman of NBCU Cable Entertainment and Cable Studios, with the organization’s esteemed Lucy Award.

 

Three other individuals were also feted during the festivities. Christina Applegate was honored with Norma Zarky Humanitarian Award, young actress Chloe Grace Moretz received the MaxMara Face of the Future Award and Anette Haellmigk took home the Kodak Vision Award for cinematography.

 

In a special recognition of professional excellence, Women in Film also celebrated five women of Twentieth Century Fox: Elizabeth Gabler, Nancy Utley, Emma Watts, Claudia Lewis and Vanessa Morrison Murchison, who were presented the honor by the studio’s CEO, Tom Rothman.

 

Elfman got the party started by noting the Los Angeles Kings Stanley Cup victory and joking that the crowd was all LA queens. “We’re here to honor talented people who just happen to be women,” she said.

 

Without the pressure of an orchestra to play them off for going over time, all five of the honorees were able to fully express their gratitude after each received a heartfelt introduction from a colleague very important in their respective careers.

 

For Hammer, that was legendary actress Diahann Carroll, who currently stars in USA Network’s “White Collar” and is also a past recipient of both the Crystal and the Lucy.

 

Hammer reminisced about her early days in cable, saying there was plenty of room at an empty table and an openness to fostering a creative culture where breaking rules became the new normal. “I’ve tried to hold onto that pioneering spirit with all the changes in our business and I say ‘bring it on,’” she said, and noted that more than 50% of her direct reports are women.

 

The Lucy Award for Excellence in Television that is now hers was first handed out in 1994, joining its sister, the Crystal Award for Excellence in Film, which was inaugurated in 1977. It is named after Lucille Ball and is presented in conjunction with her estate to those whose creative works follow in the footsteps of Ball’s extraordinary accomplishments, particularly in enhancing the perception of women through the medium of television.

 

Christina Applegate’s television career goes back to the 1980s, even before she made a name for herself with the role of Kelly Bundy in Fox’s “Married…With Children,” which she played for 10 years. And so it was only fitting that costar Ed O Neill presented her with the Norma Zarky Humanitarian Award, for her work in fostering early cancer treatment for underprivileged women.

 

The fondness and respect between these two obviously runs deep with O’Neill concluding his intro by calling Applegate “my little pumpkin” and she crediting him with bringing her up.

 

Applegate, who currently stars in the NBC comedy series “Up All Night,” also thanked Streep. “Without you, I wouldn’t be standing up here,” she said. “I’ve always wanted to say that, because you’ve been an inspiration.”

 

She herself is an inspiration to other cancer survivors, having beaten the disease and then starting a foundation, Right Action for Women, to help those at risk detect it early and get proper treatment.

 

Streep was last seen at a podium earlier this year, accepting an Academy Award, but on this night was there to laud her “Doubt” co-star and fellow Oscar nominee this year, Davis.

 

The woman often called “the greatest actress of our time” used the occasion to lambaste the powers that be in Hollywood and remind them that female-centric movies are big at the box office. She cited “Bridesmaids,” “Mamma Mia!,” “The Devil Wears Prada,” “The Iron Lady” and the Davis-led “The Help” for grossing $1.6 billion in ticket sales.

 

“Their problems were significant because they cost a fraction of what the big tentpole failures cost,” she said. “Let’s talk about ‘The Iron Lady.’ It cost $14 million to make and brought in $114 million. Pure profit. So why, why? Don’t they want the money?”

 

The fact that Streep starred in three of those five features undoubtedly contributed to their success, but she was in no mood to personally take any credit, instead citing stats that underscored the under-representation of women in the film business.

 

Before presenting Davis with the Crystal, Streep added, “Alice Walker said the most common way people give up their power is by thinking they don’t have any. That’s like hearing that women don’t get raises because they don’t ask for them. It’s incredible.”

 

Streep gave Davis a huge hug before the acclaimed actress delivered an earnest, moving speech. Davis’ eight minutes in 2008’s “Doubt” alongside Streep catapulted her to stardom in the film world after smaller roles and a career on stage that was rewarded with two Tony Awards.

 

“I’ve spent my whole life trying to be better than my mom,” she began, and explained how she always wanted to express the complexity and duality of people of color.

 

“I couldn’t do that in a9 to 5job,” she said, before concluding, “The privilege of a lifetime is being who you are. My higher purpose is to rise up and pull up and leave the world and the industry a little bit better.” 

 

Ms. Davis, you have done just that.

 

 

 

MTV Movie Awards Mixes it Up With a Pirate, a Queen and a Caped Crusader

It’s a tribute to the influence of the MTV Movie Awards that so many A-listers show up for the annual kudo-fest. The 2012 edition, the cable net’s 21st, aired live Sunday night from a packed Gibson Amphitheater in Los Angeles, featured — in addition to a bevy of up-and-comers — people who have had collective decades in the spotlight, including Jodie Foster, Johnny Depp, Mark Wahlberg, Jennifer Aniston and Christian Bale.

And then there was the reigning evil queen of the box office, Charlize Theron. But it was her “Snow White and the Huntsman” co-star and “Twilight” princess Kristen Stewart, clad in tennis shoes and a mini-dress, who stole the show.

This year’s competition was billed as a showdown between “The Twilight Saga: Breaking Dawn — Part 1″ and “The Hunger Games” — both massive blockbusters that feature love triangles — although “THG” led with eight noms to “Twilight’s” two.

Host Russell Brand kept emphasizing the battle, calling out both films repeatedly in a schtick mildly reminiscent of David Letterman’s “Uma, Oprah” Oscar shout-out. Unlike Letterman’s groan-inducing routine, Brand’s was met with audible audience approval.

In his opening monologue, he claimed he had another agenda aside from hosting, saying, “The last MTV awards show I hosted I ended up marrying someone who was there, so I will be keeping my eyes peeled tonight for my next wife.”

But much of his attention seemed to be focused on two other men in the audience, Charlie Sheen and Michael Fassbender. Referring to the latter’s full-frontal role in “Shame,” Brand commented, “If I get him too aroused I could lose an eye.” He called out Sheen for looking sober, but having a “gram of cocaine and bottle of Hennessy” under his seat.

Before plugging his new movie “Rock of Ages,” saying it’s the best musical since “Grease” and then taking a predictable shot at John Travolta, he commended Kim Kardashian on her short marriage for taking the heat off his brief alliance with Katy Perry, whom he had famously wooed during his 2009 stint hosting MTV’s Video Music Awards.

With the two favorite films going head-to-head in just two categories — the biggie, Movie of the Year and another, always hotly contested, prize for Best Kiss — Stewart, Robert Pattinson and Co. snatched both of those Golden Popcorn trophies from the citizens of Panem.

For Best Kiss, it was the fourth straight year K-Stew has been crowned for getting cozy with R-Patz, who plays the romantic vampire Edward to her Bella. “God, Rob’s not here, you guys. I don’t really know what to do,” said Stewart, who pretended to make out with herself in accepting the award.

But “The Hunger Games” collected a healthy share of hardware, with Jennifer Lawrence taking Best Female Performance, Josh Hutcherson nabbing Best Male Performance, Elizabeth Banks winning Best On Screen Transformation and Hutcherson and Lawrence against Alexander Ludwig taking Best Fight.

Banks’ prize was for one of five new categories in the competition this year that also included Best Music, Best Gut-Wrenching Performance, Best Cast and Best On-Screen Dirtbag.

You wouldn’t think Aniston would be up for — and win — in a category called Best Dirtbag, but then you must have missed “Horrible Bosses,” a film from which an almost unrecognizable Colin Farrell was also a contender, as were Bryce Dallas Howard, for “The Help,” Jon Hamm, for “Bridesmaids,” and Oliver Cooper in “Project X.”

The newly crowned dirtbag came dressed in short black leather — and on this show, nearly every single female on stage showed a lot of leg — and thanked “Friends” for paving the way for her role as a sex-crazed dentist.

The “Harry Potter” series may be gone, but it’s certainly not forgotten. Emma Watson was on hand to accept the award for Best Cast for “Harry Potter and the Deathly Hallows, Part 2.”

MTV is often accused of abandoning its musical roots, but the awardscast’s performances showed why there is still “music” in the moniker, with rousing riffs from Fun., Wiz Khalifa and the Black Keys.

One of the high points was Johnny Depp jamming on guitar on two songs with the Keys, in celebration of being given MTV’s version of a lifetime achievement award, its Generation Award, presented to him by Aerosmith’s Steven Tyler and Joe Perry.

“This is quite an amazing honor, truly. It’s like the Get-Out-Of-The-Business Award, ‘All right, you’ve done too much,’” Depp said in accepting the award, adding, “And it’s an honor to be presented by these two legends, Steve and Joe, and these up-and-coming legends, [The Black Keys], so thank you very much.”

Emma Stone, soon to be seen in “The Amazing Spider-Man,” received the MTV Movie Awards’ first-ever “Trailblazer Award,” which honors an actor for carving out a unique path in Hollywood.

In a heartfelt speech, the 23-year-old actress honored her comedy idols, Gilda Radner, Bill Murray, Charlie Chaplin and Lorne Michaels, along with other inspirational figures to her, the Beatles and director/writer Cameron Crowe.

“Those people are my creative trailblazers but I am not following any of their paths,” she said, suggesting people should find what makes them unique.

With the awards show an ideal venue to plug upcoming films, the cast of “The Dark Knight Rises” was on hand to introduce never-before-seen footage from the latest Batman caper, set to unspool July 20.

Christian Bale, who plays the Caped Crusader, got emotional after a clip reel that had glimpses of the late Heath Ledger from the second film in the series, “The Dark Knight.”

“Man, great to remember Heath in that moment,” Bale said, choking up. “Wonderful to see Heath Ledger there.”

And in another sign of the trilogy’s resonance, director Christopher Nolan was given a standing ovation before the new footage was unveiled.

It will be hard to say goodbye to Batman, just as it was to send off Mr. Potter into celluloid history.