Urban Brings it Closer to His Fans as He Wraps Up World Tour

Summer is technically over, but for Keith Urban, it’s been a long hot one—with his single “Long Hot Summer” just reaching number one on the country charts as his vaunted Get Closer 2011 World Tour closes out later this week in three Midwestern arenas.

 

For his fans, Chicago, Milwaukee and Minneapolis will soon become Monkeyville as Urban and his band take the stage in those cities.

 

And if the shows are like his recent sell-out performance at LA’s Staples Center, they’ll be very happy.

 

For the really lucky ones, about 100 in each venue, they’ll be part of his Backstage Experience, getting an opportunity to have their picture taken with him and ask him some questions in a news conference-like setting with food and refreshments before the show.

Meeting Keith in LA for the first time, he was relaxed and down to earth. His parents from Australia were out for the show, but wife Nicole Kidman and their two girls weren’t able to attend.

 

Get Closer isn’t just a catchy tour name. Urban spends a lot of the two-hour show actually in the audience, using specially designed ramps from the semi-circular stage which is dressed in an amusement park theme—complete with a mini-roller coast and a huge oval-shaped video monitor.

 ”I love those ramps so much,” Urban told Billboard about the staging. “I liked the feeling of accessibility to the audience — there’s no fence, no barriers, no massive security people. So I thought I would take that a little further this time. The entire front of the stage is sloped down into the arena floor. To me it feels much more inviting from the audience standpoint. It just does away with all of the feeling of barriers. It feels like they can just wander up the ramps and come onto the stage if they want.”

And that they did, when he chose three people from the audience to perform their version of his song “I Wanna Kiss a Girl.” It was like a live version of “American Idol” as two women and a guy from Corona del Mar belted out the song, after Keith asked them if they knew the words. “Of course,” they all answered—and proved it. The audience pronounced the guy the winner.

Urban also took time to read fans’ signs all around the arena and called out each section, even the nosebleed seats at Staples. Later, he individually introduced each band member: Chris McHugh (drums), Brian Nutter (acoustic and electric guitar, banjo, accordion, keyboard), Jerry Flowers (bass and acoustic guitar) and Danny Radar (slide guitar) who did a brief performance center stage, to the crowd’s delight.

One of the many highlights, “Long Hot Summer,” which Urban co-wrote withRichard Marx, beginning it in Nashville and then finishing it on his tour bus while he was opening for the Eagles last year. Among his other well-received hits,  “I Told You So,” “You Can Love Me This Way” and “Raining on Sunday.”

 A big moment came when he brought out Creedence Clearwater Revival’s John Fogerty for a blistering rendition of “Proud Mary.”

“Days Go By,” “Somebody Like You,” “Who Wouldn’t Wanna Be Me” and “Stupid Boy” also had the crowd enraptured, and thrilled by his mean rock guitar solo during the conclusion of “Summer Comes Around.”

The LA set culminated with another surprise guest, the musically inclined and talented actor Jack Black.

And in another effort to involve his fans, Urban is promoting his new fragrance, PHOENIX by Keith Urban and inviting them create a 30-second commercial spot for it. He’ll choose the winner, whose spot will be broadcast on national network television after the conclusion of the promotion November 11th, with the winner to be announced November 14th. More information is at www.people.com/keith_urban.

 

 

 

 

 

Working 9-5 and 8-11 at the Hollywood Bowl: D-Parton Delivers

Parton brings her larger than life presence to the Bowl

Could you ever imagine that Dolly Parton has been making hits out of heartfelt songs for 45 years now? And that even though the Queen of Country maintains a home inLos Angeles, she just made her first-ever appearance at the Hollywood Bowl?

It was a dazzling, all-Dolly night in which the beloved singer came out right on time and with just a brief intermission and one costume change worked her musical magic until late in the evening.

Parton is touring in support of a new album. In addition to performing her crowd-pleasing huge hits and her take on several classic rock songs, including a banjo driven bluegrass rendition of Led Zeppelin’s “Stairway to Heaven,” she introduced some of the numbers from it to warm response from the sold-out crowd, the second of two such nights.

Some of the songs sounded like instant classics, like the upbeat. “Together You and I,” a pop/country crossover tune from the new album, which is entitled “Better Day.”

But Parton did a lot more than sing–and we are not talking about the accusation from an LA Times report that she was lip syncing. (It certainly didn’t sound that way in our section.)

She told stories about growing up inTennessee’sAppalachian Mountainsin a large family struggling to make ends meet, but with parents who loved and adored her, and all her 11 brothers and sisters.

She also joked about her appearance, saying it cost a lot of money to “look this cheap” and made allusions to her wig and to having had work done.

Whatever she said, the crowd seemed to be ultra-receptive to her messages– and to her music. The 2 1/2 hour set included Dusty Springfield’s “Son of a Preacher Man,” “Walking on Sunshine,” “Coat of Many Colors,” “Tennessee Mountain Home,” River Deep, Mountain High” and a haunting version of “Little Sparrow” in which she performed with two of her backup vocalists.

One of the many musical highlights: “Jolene.” She even tried her hand at rapping in a tribute to her new friend, Queen Latifah, who many thought would take the stage with Parton, but appeared only in a clip from their upcoming movie, “Joyful Noise.”

Here’s a sample: “She’s the queen of her own hood… but I’m the queen of Dollywood!… I don’t hip and I don’t hop… I’d black both eyes with this big top… I know the Queen has got ‘em too… but she don’t work ‘em like I do!”

Parton also gave a surprisingly lengthy and heartfelt shout out to Miley Cyrus, who was in the crowd. One thing she did not do was to pay tribute to Amy Winehouse, whose death had been announced earlier in the day.

Canada and Country at the Grammys

Canada's indie darlings Arcade Fire shake the Grammy firmament with their surprise win

It was a night of legends, starting with a lengthy tribute to Aretha Franklin. Then we got a bouncy Mick Jagger strutting his still hot stuff, Bob Dylan and his infamous voice even more gravelly, and a stiff, serene Barbra Streisand in a voluminous black dress singing one of her many greatest hits, “Evergreen.”

Those, coupled with the much anticipated performances from Eminem and Rihanna, Lady Gaga and Justin Bieber gave the show its highest ratings in more than a decade, with over 26 million people tuning in.

But the showstoppers at the 53rd Grammy Awards came by way of Lady Antebellum, Arcade Fire and no, not  Bieber, but best new artist Esperanza Spalding.  Esperanza who? Well, now you know. A serious jazz singer and musician who will now receive the acclaim she deserves.

The surprise winners of the top awards had the Staples Center crowd in audible shock, and will reverberate in their record sales jumping up the charts. Were Grammy voters ahead of the curve with their picks, or behind the eight-ball, as they’ve historically been? (Just one example of untold numbers of sins of omission: no Grammy ever for Neil Young during his four decade-plus career.)

Let’s dissect Lady A’s ode to late-night longing, “Need You Now.” An extremely catchy pop/country crossover tune (with a cheesy music video) that will be played on easy-listening stations for years to come, it zoomed to the top of the charts after the country trio performed it at last year’s show.  Were they worthy of their sweep of four out of five Grammys, including record and song of the year? For my listening pleasure, I’ll take the more thrilling relationship drama of “Love the Way You Lie.”

There were several thrilling moments that made watching the Grammys eminently worthwhile this year, even as the first award wasn’t presented until about 45 minutes into the show: Dr. Dre’s surprise appearance with Em, Cee Lo Green’s multi-colored muppet performance of, um,  “Forget You” with a piano-climbing Gwynneth Paltrow (hey, I thought promotion for “Country Strong” was done and over) and Jamie Foxx’s rousing intro and Lady Gaga’s Madonna-inspired performance after emerging from her “egg vessel.” You gotta love the performance art aspect that somehow makes up for some of the lack of musical originality.

For a night supposedly all about the music, it was hard to figure how some of the presenters got their gigs. Eva Longoria? Seth Rogen? The fiancé of Miranda Lambert? Maybe he is a musician but it was really bush league to have him introduce her. “I really love her,” he insisted.  And overall, we pretty much loved the Grammys this year, including that shocking takedown by Arcade Fire of album of the year, then rocking out the credits.

Beats, Burgers and Beer

Hundreds of people turned out for the 14th annual Friends ‘N’ Family pre-Grammy party on a soundstage at Paramount, grooving to the music on two separate stages–including sets from Taryn Manning, Jermaine Dupri, Yelawolf, Caroline D’Amore and Dirty Vegas.

The mood was lively but chill on a warm winter night, the official start of Grammy weekend with a host of parties leading up to the big event Sunday.

It wasn’t all about the music. The crowd was served generous half-size burgers from Fatburger, fresh popcorn, cupcakes and enough Red Bull and UV vodka to fuel a very late night.  The only fly in the ointment: looong lines at the bathroom trailers, which offered another opportunity to mix and mingle.

Sizzle and Steak at the VMAs

MTV’s Video Music Awards have a storied history of sensational and surprising moments that have gone on to become pop cultural milestones. Who could forget Britney’s open-mouthed smooching of Madonna, or Michael Jackson making out on stage with Lisa Marie Presley way back in 1994? How about Prince revealing his pants-less behind in 1991? And then there was last year’s big fiasco and huge shocker, with even the president weighing in—Kanye West crashing in on Taylor Swift and hijacking the microphone during her VMA acceptance speech. It’s doubtful anyone could or ever will top his award for Most Boorish Behavior.

So the expectations were high for the 2010 VMAs. Despite host Chelsea Handler’s admonition for everyone to be on their worst behavior, the only real fireworks during the telecast came at the very end — during West’s much-anticipated performance.

But it was Handler’s performance as host—the first female doing emcee duties at the VMAs in 16 years– that drew the most heat. The New York Times trashed her act, saying “She was among the worst in show’s history — purposefully out-of-touch, with brief, alarming flashes of off-color racial humor.”

The Washington Post, Entertainment Weekly and AOL TV were among those giving her a resounding thumbs down, while the Los Angeles Times took the opposite stance, saying she had “plenty of verve and vinegar.”

In or out of the Chelsea camp, there’s no dispute the show was a smash. It drew its highest ratings since 2002, commanding 11.4 million viewers, up 27% from last year.

Despite all the waves about Chandler, who tweeted that “she had a blast and the show was awesome,” the night belonged to Lady Gaga, who’s in the throes of a really good romance with her fans. And let’s hope the meat outfit got refrigerated—or cooked to perfection. It would be a shame to let one of the most unique ensembles in awards show fashion history go to the dogs.

“I Just Can’t Stop Loving You”–Minus MJ

Judith Hill belts it out in Beverly HIlls

The occasion: a glitzy luncheon at the Beverly Hills Hotel honoring the nominees of  the 41st Annual NAACP Image Awards, to be broadcast live on FOX Friday Feb. 26 at 8 p.m.—but tape-delayed on the West Coast from the Shrine Auditorium.  

The highlight: singer Judith Hill, Michael Jackson’s duet partner on “I Just Can’t Stop Loving You” in “This is It,” gave a solo, gut-wrenching performance of the love ballad before a transfixed crowd–with the spirit of Jackson hovering over the proceedings.

Jackson would have approved of this year’s theme, “One Nation, One Dream” representing a utopian goal for the prestigious civil rights organization, which is also celebrating entering its second century of civil rights advocacy.

The nominees—representing excellence in television, film, music and literature– got revved up at the luncheon honoring them with an admonishment from executive producer Vic Bulluck to keep their acceptance speeches to 45 seconds.  Yeah, like that’s going to happen—but it’s always fair warning before the winner gets played off the stage or…horrors…has his or her microphone cut mid-sentence.

The show itself promises some tough races on the TV side. Up for outstanding comedy: “30 Rock,” “Everybody Hates Chris,” “Glee,” “Ugly Betty” and “Tyler Perry’s House of Payne.”

Perry is up for several other awards, and no suspense here, will receive the Chairman’s Award, in recognition special achievement and distinguished public service. He’ll be in the company of past honorees including Aretha Franklin, Bono, President Barack Obama, The Dave Matthews Band, Danny Glover, Aaron McGruder and Janet Jackson.

Dramatic programs vying for the Image Award are “Grey’s Anatomy,” “Cold Case,” “HawthoRNe,” The No. 1 Ladies’ Detective Agency” and “Lincoln Heights.” Another highlight: recording industry executive Clarence Avant will be inducted into the NAACP Hall of Fame.

(For a complete list of Image Award nominees, check out http://www.naacpimageawards.net/41/nominees-and-voting/nominees/ )

Burning Grammy Questions

Where was Kanye West when you needed him?  Perhaps he could have mitigated some of the Taylor-phoria at the 52nd annual Grammy Awards, which many people are complaining was more like the Country Music Awards, what with the Zac Brown Brand (who?) winning for best new artist.

Ricky Martin—did you get the heat you asked for twice?

Kaley Cuoco—was your dress on backwards?

Bon Jovi—why did the fan-chosen “Living on a Prayer” only run about 1:30? Always leave them wanting more, I guess.

Beyonce—did you really grab your crotch?

Whichever Jonas brother—do glasses make you look more mature? It kinda worked.

Lionel Richie—can you read the teleprompter a little more smoothly or memorize your intro better? It distracted from the significance of what you were saying.

Kings of Leon—maybe not so many shots before the show next time. This isn’t the Golden Globes.

Jackson Family Values

It was Janet Jackson’s turn to shine, and the pop megastar obviously put a lot of thought into who she would spill to in her first televised interview since the tragic death of her brother Michael nearly five months ago.

That’s why it was such a jarring experience to watch her Wednesday night on  ABC’s “In the Spotlight with Robin Roberts.” Ms. Jackson was classy, revealing, charming, honest—even as Roberts lobbed cringe-worthy questions like “What’s your favorite body part?” and more probing ones on her current romantic status.The timing of the big-time get was no accident. Jackson’s new album was released the day before, she’s kicking off the American Music Awards Sunday night on ABC, and a “sneak peek” at her new video closed out the show. The program offered viewers a tantalizing view of Jackson’s Malibu home, and was non-linear at best, flying around from topics like Jackson’s early days as a television actress in shows like “Good Times” to her secret marriage to Rene Elizondo to whether she’d ever met Dr. Conrad Murray. Segments were punctuated by a smarmy announcer—better suited to a show like “True Hollywood Stories” reading inane copy like “Next: losing her brother, but finding herself.”After showing Roberts a display of family photographs — including one of Michael and his children shortly before he died — Jackson admitted almost off the top that she often smiles as a protective mechanism.  And despite the serious nature of most of the interview, she was true to her word, flashing a mesmerizing grin throughout the show.Jackson herself—dressed in a conservative cream-colored dress and glittering geometric gold earrings, was riveting, mainly because she’s purposefully and wisely kept herself scarce.  Yet there was little new information. She was in New York when she got the fateful call about Michael collapsing.  She didn’t leave town right away, not knowing how serious it was.  He used to call her “Dunk.” She called him Mike.But just when things were starting to get insightful, as when she revealed that her father ordered her not to call him Daddy when she was a very young girl, that he forced her to drop acting for singing or that she didn’t celebrate a birthday until she was 23 years old, Roberts’ (or the editor’s) apparent ADD would kick in and the subject would be changed.Maybe this wasn’t really an ABC News production, as it was long on assumptions and short on facts—and there was heavy emphasis on Jackson’s weight issues that she seems to have struggled with since childhood, yet no discussion of how she’s managed to always get back in center-stage shape. Roberts inquired about her “booty,” and Jackson revealed that former long-time record producer boyfriend Jermaine Dupri made her feel very comfortable in her own skin, leaving viewers to draw their own conclusions after Roberts elicited they were actually no longer together—even after Jackson admitted that she adored him and “loved him to death.”  

There was a mention made of Jackson’s quickie first marriage at age 18 to singer James DeBarge in order to escape her family and that it ended because of his drug abuse, which was rather defamatorily equated with Michael’s—without any other information. Quick sound bites, but no details, on how the family tried to stage interventions with Michael—increasing the amorphous haze around that part of Jackson’s legacy, in contrast to his on-point performances in “This is It,” which his sister said is too painful for her to see.  

MJ fans were no doubt disappointed not to hear more substantive discussion about Janet’s relationship with her older brother—although there were many adorable old photos and video clips of the two together. Still, her grief was palpable, as was her anger at Murray and her reaction to the fact that her brother died from an overdose of Propofol. “Serious, heavy. None of us knew,” she said of his usage of the intravenous hospital anesthetic.

Take her grief out of the equation and despite her strict upbringing, the rocky love life, the struggles with body image, the interview proved there’s no reason to pity Janet Jackson. To paraphrase a notorious Joe Jackson comment about Michael, she’s smiling all the way to the bank.  .

The Best and the Worst

Scott Weiland and STP Hold the Phone for T-MobileSome people know how to throw a party; some don’t. A surefire sign of the later: when you end up drunk, ordering at the takeout window at Taco Bell because you’ve been drinking for hours with no food to soak it up.

Such was NOT the case at a FANTABULOUS bash to celebrate the launch of the Tony Hawk Sidekick for T-Mobile. Taking over an empty building in the heart of Hollywood (the place used to be KCBS Channel 2 and KNX) and decorating it in skateboard chic was genius. And how killer was having the Stone Temple Pilots play for more than an hour? Scott Weiland progressively lost pieces of clothing as he rammed through the set. Outside, a half pipe, and and and: an In-N-Out Truck, a Hot Dog on a Stick truck and a Taco Nazo truck. Fast food paradise on asphalt. Party went right up to the rim of 2 a.m.

On the flip side, an event held by Genlux Catalog, I mean, magazine, at the W pool in Westwood. Billed from 6-9, cocktail and dinner hour in the rest of LA, they supplied not one morsel of an appetizer and sported 20-minute, no fun lines at the bar. Wait, think there was one tray of cheesecake balls on a stick. Being outside by the pool on a warm summer night is nothing to complain about. Everything else was.

Diana Does Hollywood

For the sold-out crowd at the Hollywood Bowl, it was a flashback to the days of the Supremes some 40 years ago. Unlike veterans who play the Bowl frequently (Tony Bennett, anyone?) Diana Ross–the early 60s diva who paved the way for Mariah, Beyonce, Xtina–has kept herself pretty scarce. And that’s what made her performance so special, in addition to no less than SIX glittery costume changes. With a pair of powerful backup singers that made up for some of her loss of voice and a tight band, Ross rode through golden oldies like Touch Me in the Morning,  You Can’t Hurry Love, More Today than Yesterday, I Will Survive and my personal favorite, Ain’t No Mountain High Enough. Visions of Beyonce in Dreamgirls made their way through my consciousness. The thrilling performance begged the question of why she’s not doing long-term Vegas gigs like Cher and Bette Midler…