It’s the Year of Royalty: Designer Sue Wong’s Fall Collection Features Edwardian Embellishments

The inimitable Sue Wong eschewed runways again and presented her Fall 2011 collection, “My Fair Lady,” in a spectacular setting—her 1920s-era Los Feliz home known as the Cedars, which has a storied history. Built for an executive of MGM—which is why lions are a theme in the décor–it was once home to actress Norma Talmadge and temporary digs for Jimi Hendrix.

Wong, who is known for her ultra-feminine beaded gowns, says the inspiration for her collection was the Edwardian English styling of the 1964 George Cukor film “My Fair Lady” and its theme of self-transformation. The movie features spectacular iconic costumes and dramatic Ascot hats designed by Sir Cecil Beaton, whose work features embellishments of the Edwardian era like embroidery, lace trim and appliqué work.

Wong asked guests to wear Ascot hats to her home, and while that’s something not many have in their closet, many do have a Sue Wong and broke it out for the occasion—resulted in a very well-dressed daytime crowd feting the designer and her creations in a free-form fashion show on the grounds of the estate.

Statuesque models  wore ornate gowns and cocktail dress in gleaming satin, flowing chiffon and fine laces, embellished with jeweled crystal beadwork and intricate embroidery. Some featured skirts of organza petals and ostrich feathers. The color palette included black, champagne, nude, ivory, platinum and plum. The show-stopping couture hats were from Arturo Rios.

 

Wong’s motto is “Beauty. Magic. Transformation.” And her designs are meant to empower and transport the wearer to a fantasy realm of her choice.

The event also featured a silent auction of five Sue Wong gows, with proceeds benefiting victims of Japan’s tragic earthquake, tsunami and nuclear disaster.

LA Fashion Week: Art, Religion and Post-Production

Chemline's grand finale at Ace Gallery

Fall/Winter Fashion Week in Los Angeles doesn’t have a home any more– it has several, ranging from an ultra-hip mid-Wilshire art gallery to a former cathedral downtown to a well-known postproduction facility in Hollywood.

Gone are the days when most of the runway shows were at Smashbox Studios in Culver City. Whether you liked that place or not, and we did, it was centrally located and pretty much one-stop shopping to see a slew of up-and-coming and better known LA designers.

But the current incarnation brings a lot of creative freedom and a different vibe at the various venues. Ace Gallery on Wilshire Boulevard near LACMA (not the Beverly Hills location on Wilshire) was the site of what it called Concept Fashion Week for four days, including shows from Chemline Sustainable Apparel (www.chemlineapparel.com) , which showcased beveled skirts and jumpsuits, column jackets and cots and dresses and trousers made of materials including silk, hemp, organic wool and recycled polyester. Many of the trendy getups were accessorized with Gaspar gloves.

Another well received collection at Ace: Lavuk (www.mylavuk.com) , whose fall line is entitled “Infinity,” influenced by the linear symmetry and crisp angles of the Art Deco movement in colors ranging from orange, deep purple to gold.

A line called Skingraft based in downtown LA (www.skingraftdesigns.com) took over one of the mini-galleries at Ace for a standing presentation, rather than a runway show.  Designer Jonny Cota says he takes his inspiration from the grace of death and dying and the inevitable ashes that we will become and translates it into a vision of dark luxury with sharply structured shoulders, fine unique wools and exaggerated collars–and lots of black leather.

Vibiana downtown is hosting other shows this week and come the weekend, the runway action will shift to Sunset Gower Studios in Hollywood.

Los Angeles-based designer Sue Wong, known for her beautiful beaded gowns and red carpet dresses, is doing her own thing again, as she has for several seasons since Smashbox closed down, hosting a lunchtime event at her Los Feliz-area home with models showing off the latest from her line.

$20 Million Worth of Glittering Jewels

  A sparkling, sensational selection of jewels offered by StyleLab at its Academy Awards Suite

Color and sparkle, in stunning gems from black diamonds to aquamarine, tourmaline, sapphires, emeralds and zultanite set in a variety of precious metals were the must-haves on the Academy Awards red carpet.

About $20 million worth of precious jewelry was on loan from StyleLab and its arbiter of Oscar taste, celebrity stylist Michael O’Connor, in town from New York with a security guard in tow.

He arrived with more than 200 pieces from the American Gem Trade Association Collection, Dena Kemp, IDH Titanium, and Farah Khan, among other designers, putting them on display in a luxury hotel suite in Beverly Hills—all for nominees, presenters and other VIPs to sport during Oscar Week at parties and the awards themselves.

Earrings were key, and StyleLab offered an interesting take on big, bold designs with large pairs set in titanium, the lightweight material that some eyeglasses are made of—thus alleviating the heavy, painful earring syndrome that can weigh down even the most stunning award-winners.

Jeff Bridges’ daughter Isabelle chose diamond and emerald earrings by Farah Khan, valued at more than $45,000, while Haley Bridges chose a 6-carat diamond and sapphire ring by Dena Kemp.

Mary Zophres (nominated for Costume Design for “True Grit”) picked orange sapphire (7.60 carats) and diamond mosaic filigree earrings by Dallas Prince from the American Gem Trade Association Collection, worth nearly $12,000 and Michael De Luca (nominated as one of the producers for Best Picture for “The Social Network”) picked up onyx and diamond cufflinks for the Oscars.

Cheryl Cecchetto (producer of Academy Awards Governor’s Ball) was the belle of that ball in a nearly 76-carat green tourmaline necklace by Cynthia Renee for the American Gem Trade Association Collection coupled with bold 24-carat mint green tourmaline and diamond  earrings by Jeffrey Bilgore for the American Gem Trade Association Collection, a jewelry ensemble valued at $170,000.

For men, O’Connor is a big fan of a diamond lapel pin on a tuxedo, along with cufflinks and/or shirt studs to provide some individuality to the guys, who always–no matter how bright their star is–pale in comparison to the women.  He’s already preparing his next red carpet collection.

Oscar Gowns and Gaffes

Hey Melissa, congrats on your Oscar, but this drapery belongs on the living room curtains--of your grandma's house

When it comes to the Academy Awards, the ultra white-hot impact red carpet photographs have a shelf life of years, if not decades. One false fashion move can follow you forever, and we’re afraid Melissa Leo made it.

The best supporting actress winner has actually come up in our estimation for breaking the mold during the highly political awards season campaigning. Let’s not forget no one had really heard of her until a few years ago and her role in “Frozen River,” for which she was also nominated. Despite her many TV parts dating back to 1985—she was also a player on the highly regarded “Homicide: Life on the Streets” in the mid 90s–Leo was kind of a blank slate, personality and image-wise, until a few months ago.

She took out her own “for your consideration” ads in the trades, which breaks the unspoken rules that only a studio or agency does that for a client, and if it rubbed some people the wrong way, it didn’t hurt her when it came to the balloting. Because she was pitch perfect as the grizzly mama momager in “The Fighter.” Congratulations, Melissa! You deserve that Oscar—and you won fair and square.

And then there’s the f-word controversy during her acceptance speech, when she used the expletive in referring to two years ago when she lost the statuette to Kate Winslet. Come on, people (Nikki Finke) who are acting like this is such a horrifying thing that should get her banned from future work. Okay, maybe it wasn’t the wisest choice, but it seems like Bono got away with saying the f-bomb on national television in a moment of exuberance, so lay off our girl.

But that dress—ugh. Just horrible, from the brocade or crochet or whatever it was made of to the neckline to the sleeves. What was she thinking? What was her stylist thinking, if she had one?   Designed by Marc Bouwer, this has got to be the most unattractive Oscar gown in recent memory. This is something you would wear to your great aunt’s 80th birthday party at a Marriott in Topeka, not to the Academy Awards in Hollywood, when you’re a frontrunner for the trophy. Melissa Leo, you’re a lightning rod right now, but more power to you.

And then there’s fellow nominee Jennifer Lawrence, who never had a shot of winning but had the eyes of the world upon her, for the first time. OK, we get that you have a hot body, honey, but that plain red dress just didn’t make the mark. It reminded some of beachwear and truly needed some flourishes to rise to the level of the occasion.

Another lady in red, or orangey-red, songstress Jennifer Hudson is scoring kudos for her svelte after-baby body—and the gown. But to my eyes, her breasts looked weird popping out. The opening should have been narrower to minimize that somewhat strange effect, a la Gwynneth Paltrow’s vertical cleavage slit in her gorgeous silvery, shimmery Calvin Klein. Tasteful, beautiful, stunning. And our favorite gown of the evening. Gwynneth has gone wrong before—think back to the goth look she sported once and her ill-fitting gown when she won the Oscar for “Shakespeare in Love,” but this was a winner.

Others also scored fashion gold. Best actress winner Natalie Portman was a purple swan. She couldn’t have looked more beautiful in her off the shoulder Rodarte gown set off with Tiffany tassel earrings that picked up the lovely hue of her pregnant-perfect gown.  

A similar shade was worn by Scarlett Johansson, whose messy hair sort of ruined the effect. The magenta lace dress might have looked better with a sleek ‘do that complemented the high neckline. Mila Kunis in a lavender lace and ruffled number by Elie Saab—although reminiscent of his red see-through gown Halle Berry wore to the Costume Designers Guild Awards earlier in the week,  looked lovely and fresh in that feminine hue. Berry also scored again, looking dreamy in her perfectly form fitting, nude crystal-encrusted Marchesa gown.

Oscar dreams are made of this.   

For more Oscar photos: http://oscars.movies.yahoo.com/photos/153-2011-red-carpet-report-card?nc#OmgPhoid=1

Halle in a See-Through Red Dress! Demi in a Messy, Waist-Length Braid! Boardwalk Triumphs Again, in a Big Night at the CDG Awards

If there was ever a place where you’re going to be judged on what you’re wearing, it’s at the Costume Designers Guild Awards. At the star-studded 13th annual ceremonies at the Beverly Hilton, some of the ensembles literally took your breath away.

Talk about a stunner, she’s baaaaaaaaaaaaack. Halle Berry had been (a little bit) under the radar, since the Golden Globes at least, in a messy custody battle with her former flame Gabriel Aubrey over their daughter Nahla, with accusations between the two flying back and forth.

But none of that mattered as Berry regained her fashion mojo with a piece from one of her favorite designers, Elie Saab. It was stunning— a partially see-through red gown of chiffon and lace –as she was honored with the Lacoste Spotlight Award. The crowd was treated to a montage of her costumes throughout 20 years on screen, including her roles as Storm, Catwoman, the Bond girl in the hot orange bikini and some of her early films like “Jungle Fever.” In one role, she sported a gold tooth, suggested, she said, by the costume designer.

In a rousing speech, Berry closed by saying, “Stylists are not costume designers. Not to belittle them, but there’s a huge difference. A stylist helped me pick this dress, but she’s not a designer. Costume designers help bring characters to life.”

Well, that will put Rachel Zoe in her place, or, um, maybe not.

“Boardwalk Empire” continues to sweep up awards left and right this season– the latest being a coveted Costume Designers Guild Award for outstanding period/fantasy television series. The awards honor the best costume design in television, film and commercials.

In the 1920s-era freshman HBO series, set in and around Atlantic City’s boardwalk, costume designers John Dunn and Lisa Padovani dress everyone from gangsters and their molls, rum runners, law enforcement officers and suffragettes.

The beautifully-tailored and often brightly colored men’s suits and overcoats worn by characters based on real people including Nucky Thompson and gangster Arnold Rothstein have drawn the attention of major men’s fashion magazines.  The women’s clothing is even further spotlighted in a shop on the boardwalk run by a French woman who imports the latest fashions from Paris, often shown off on Nucky’s girlfriend, or his former consort.

HBO continued its winning ways as acclaimed “Temple Grandin” took the award in the outstanding TV movie or mini-series category for designer Cindy Evans.

In the category for outstanding design in contemporary television series, it was a tough race between “Dancing with the Stars,” “Glee,” “Modern Family” and “Treme.”

A “Glee-ful” cheer went up as costume designer Lou Eyrich took home the prize, as he did last year at the event. It was hosted by actress Kristin Davis, who wore a flowing full-length Oscar de la Renta white gown with large black polka dots for the occasion.

Ashton and Demi laud designer Julie Weiss

Other presenters, including Samuel L. Jackson, Kellan Lutz, Demi Moore and Ashton Kutcher, Robert Duvall and Diane Lane, showed off their finery, although some wondered about Moore’s wind-blown, messy, nearly waist-length braid. Billy Bob Thornton joked he’d left all his Helmut Lang shirts at the cleaners, but most in the well-dressed crowd would agree he looked pretty dapper on stage, even if his tie was admittedly a little off center.

The costume designers for “Black Swan,” “The King’s Speech” and “Alice in Wonderland” took home the awards for costume design excellence in the three motion picture categories for period, fantasy and contemporary film.

Isaiah Mustafa, better known as the Old Spice guy, fittingly presented the award for best design in a commercial.  It went to Aude Bronson Howard for the spot “Chanel, Bleu de Chanel.”

Director Joel Schumacher, who began his career as a costume designer, was presented the Distinguished Collaborator award by Bill Maher.   Schumacher reflected on his early days pulling pieces at Western Costume, the famous costume house that was lauded throughout the evening.

The late Michael Dennison, known for his work on the television biopic “Georgia O’Keefe” and films including “World Trade Center” and “W.” was honored with the Hall of Fame Award.

The Disaranno (yes, as in amaretto) Career Achievement in Film and Television award went to Julie Weiss, a woman with a larger than life personality who has dressed everyone from Brad Pitt in “Twelve Monkeys,” for which she received an Oscar nomination, to Diane Lane in last year’s “Secretariat.” Lane was among the high-wattage group which included Moore and Kutcher, Duvall and Thornton—all of whom she’s dressed—on stage to honor Weiss’s illustrious career.

The night was an inspiration to always look your best.

(Enter TAR’s Oscar contest for a chance to win your own taste of Oscar night.)

Comfy New Fashion Trend: Pajama Jeans

Especially in the chilly mornings of winter, have you ever wished you could just roll out of bed, put on a warm coat and go on a coffee or errand run without really getting dressed? Oh, and not look like you just rolled out of bed?  Well, now you can wear your pajamas out the door without emulating that Michael Jackson going to the courthouse in his PJs look.

We wouldn’t really recommend this for the office, but we are talking about PajamaJeans– pants that look like designer boot-cut jeans and feature brass rivets, high-contrast stitching, five pockets and a dark denim wash.  In other words, they look exactly like jeans. But the secret is they’re just like sweats or pajama bottoms, with no zippers, buttons or anything else binding, just warm, comfy brushed fabric inside that feels as cozy as a blanket.

They’re available for $39.95 plus shipping in eight sizes for women and have a 30-day money back guarantee.

www.pajamajeans.com, (866) 347-9047

All That Glitters

One of the rites of awards season is celebrity stylist Michael O’Connor hitting town from New York, setting up shop at a swank Beverly Hills hotel, and recommending his precious picks to grace the ears, necks, arms, fingers and lapels of nominees and presenters.

With a security guard watching over the treasure trove of more than 150 pieces of fine jewelry in his suite, O’Connor, in partnership with StyleLab, helped guests including Mary Hart, Minnie Driver, Steve Carell, Gale Anne Hurd, Kate Flannery and Mayim Bialik choose the pieces to make them shine even brighter during Golden Globes weekend.

More than $14 million worth of diamonds, sapphires, rubies and other gems set in platinum were on display, from designers including Neil Lane, Erica Courtney, Dena Kemp, Chad Allison and Georland.

O’Connor told us the big trend this season is color, and that sapphires are particularly hot—especially since Prince William gave Diana’s famed engagement ring to Kate Middleton.

A New Retail Concept

Located away from the main retail district of Beverly Hills, and just adjacent to the Thompson Hotel awaits a new retail experience, almost the antithesis of Saks, Neiman and Barneys.  It’s the just-opened flagship store Devon, the brainchild of creative director Scott Devon. The 6,000 square-foot emporium– once the site of a Chevron station–is filled with premium denim, leather, fine jewelry, timepieces, home furnishings, and ready-to-wear couture–and the place got off to a bangin’ beginning with a huge bash a couple of weeks ago. Free-flowing Veuve and the beats of Samantha Ronson juiced the crowd, which included lovelies like model Jessica Stam, Nicolette Sheridan, Jamie King and Nicky Hilton—and models posing on pedestals above the fray.  The merch for sale also encompasses the Devon MotorWorks collection of motorcycles and automobiles–and the cool stuff to wear on and in them. Open Monday-Saturday 10-6, Sunday 12-5 with free parking on Canon Drive.

Devon, 9378 Wilshire Blvd., Beverly Hills www.devonworks.com

Another Reason to Drive to Malibu

Veuve Clicquot and lobster appetizers were on the menu as footwear label Sigerson Morrison threw open the doors to its flagship store recently. Beach babes snatched up brightly colored patent leather flats, glossy oversized tote bags and woven leather cuffs. If they don’t have your size in any of the silver boxes lining the walls, they’ll order it for you.

Sigerson Morrison, 23410 Civic Center Way, Malibu 310. 317-6868

Foley + Corinna = Fashion Fusion

From the Lower East Side to Melrose and Crescent Heights, Dana Foley and Anna Corinna have just brought their brand of luxe and vintage-inspired clothing and handbags to the Left Coast, kicking things off with a rockin’ bash last Tuesday night. The gorgeous new shop features 14-foot tall silver leafed angels on the walls, a grand wooden chandelier and vintage furniture, including a huge hand-carved mirror from a Paris flea market.

A great alternative to Fred Segal, right across the street, you may just find the perfect getup for New Year’s Eve.

Foley + Corinna, 8117 Melrose Ave., Los Angeles (323) 944-0169